Celempong Aceh is a traditional instrument with similar working principles are like Sharon . However, these instruments are made of wood , and is not arranged within the framework of the patent , but rather a separate sheet after sheet , and only compiled when will be played , ie on the lap .
Materials and Structures Celempong
This instrument is composed of several pieces of wood pieces ( 5-7 pieces ) , ie, wood or wood Tampu senguyung , which has the characteristics of lightweight yet tough . Each sheet sized piece of wood is different , ranging from the smallest to the largest . Length ranged from 25 to 30 cm , while the width is 6 to 8 cm . The top of the convex -shaped pieces of wood , while the underside ditoreh to establish a niche . This can be understood as an attempt to optimize the sound that will be produced this tool .
How to Play and History Celempong
When they wanted to play Celempong , The first player must sit with legs stretched straight forward , compose Latas Celempong wood pieces , ranging from thigh to toe , and arranged in order from the largest to the smallest . Distance between the right and left legs can be adjusted in such a way as to create the desired sound effects Celempong . After a well-organized in his lap , ready Celempong played by knock - tap by means bat . Some of the traditional song played by this instrument is Cico Bath , Horse Lodeng , Open Doors , Nyengok Bubu , and Cak Siti . In addition , Celempong also commonly used to accompany dance Inai .
Among the people of Aceh , Celempong usually played by women , especially young women . But today , the instrument is rarely played , especially by the young women . Book Encyclopedia of Music and Dance Special Region Aceh Provincial Department of Education and Culture published in 1986 stated that around the years making book , these instruments are still played , albeit limited among mothers who had been old . In the same book , it is mentioned that is not known about the detailed history Celempong . But this instrument is estimated to have been around and played in derah Tamiang since more than 100 years ago .
Materials and Structures Celempong
This instrument is composed of several pieces of wood pieces ( 5-7 pieces ) , ie, wood or wood Tampu senguyung , which has the characteristics of lightweight yet tough . Each sheet sized piece of wood is different , ranging from the smallest to the largest . Length ranged from 25 to 30 cm , while the width is 6 to 8 cm . The top of the convex -shaped pieces of wood , while the underside ditoreh to establish a niche . This can be understood as an attempt to optimize the sound that will be produced this tool .
How to Play and History Celempong
When they wanted to play Celempong , The first player must sit with legs stretched straight forward , compose Latas Celempong wood pieces , ranging from thigh to toe , and arranged in order from the largest to the smallest . Distance between the right and left legs can be adjusted in such a way as to create the desired sound effects Celempong . After a well-organized in his lap , ready Celempong played by knock - tap by means bat . Some of the traditional song played by this instrument is Cico Bath , Horse Lodeng , Open Doors , Nyengok Bubu , and Cak Siti . In addition , Celempong also commonly used to accompany dance Inai .
Among the people of Aceh , Celempong usually played by women , especially young women . But today , the instrument is rarely played , especially by the young women . Book Encyclopedia of Music and Dance Special Region Aceh Provincial Department of Education and Culture published in 1986 stated that around the years making book , these instruments are still played , albeit limited among mothers who had been old . In the same book , it is mentioned that is not known about the detailed history Celempong . But this instrument is estimated to have been around and played in derah Tamiang since more than 100 years ago .
Location
Sumatera » Aceh
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