PAPUA sculpture
WITH SIMPLE TOOLS THEY PRODUCE WORKS GREAT, AND COMPLICATED Aesthetic
Papua famous beautiful natural . Lake Sentani , Jayawijaya a snowy mountain , large rivers , flora , fauna with birds Cendrawasihnya , all very interesting to study and enjoy. Not only that, the people who are still genuine and innocent it turns out the creativity high . This is evident from the results of their way and in response , the natural environment to live and mix in the imagination and then put it in the works of sculpture . The result sunguh awesome and able to enrich the wealth of art and culture of our nation .
The meaning of Papua sculpture here is the sculptural work of indigenous communities that grow and develop traditional hereditary since the Prehistoric period in the ethnic groups , which are generally remote from communication with the outside world , so that foreign influence is still very little . Neither conception , form and function in general is closely related to the prevailing belief along with tradition prehistoris ( megalithic ) which has much in common with other indigenous communities in the world . Thus grouped in the category of primitive art and yangjusteru contains many universal traits .
Very prominent ( now ) is Asmat sculpture , while other tribes also have works of sculpture with different characteristics in the image of its manifestations , while the same usability background . Differences caused by variations in form factors that shape and internal extern private artists represent their communities . Equation that underlies is its usefulness as a means of expression and media for their belief on the power of the creatures and super - natural that every day affect the circumference of their lives , especially the spirits of ancestors . Other functions , such as a means of fulfilling the need for a sense of beauty precisely to encourage artists vary in their works .
With such a background that the main results are the statues of ancestors or mbis in a variety of forms and functions , fauna and flora closely related to confidence , following a new disposable objects and ornaments . There is a three-dimensional shape there are two dimensions . When the work was disconnected from the religious function of the society remained secular aesthetic value and is considered a fine art .
The sculptor and engraver in Papua called Wow Ipits was not educated , but relying on talent is inherited from generation to generation . This changed after the relationship with the community ( and the world ) are increasingly widespread . Increasingly aware that their works were loved by others and can be sold or exchanged for goods of daily life purposes . More and more people learn to carve and sculpt while not devoted to the needs of beliefs . Wow Ipits and a growing number of traditional works of art that are increasingly widespread .
WITH SIMPLE TOOLS THEY PRODUCE WORKS GREAT, AND COMPLICATED Aesthetic
The meaning of Papua sculpture here is the sculptural work of indigenous communities that grow and develop traditional hereditary since the Prehistoric period in the ethnic groups , which are generally remote from communication with the outside world , so that foreign influence is still very little . Neither conception , form and function in general is closely related to the prevailing belief along with tradition prehistoris ( megalithic ) which has much in common with other indigenous communities in the world . Thus grouped in the category of primitive art and yangjusteru contains many universal traits .
Very prominent ( now ) is Asmat sculpture , while other tribes also have works of sculpture with different characteristics in the image of its manifestations , while the same usability background . Differences caused by variations in form factors that shape and internal extern private artists represent their communities . Equation that underlies is its usefulness as a means of expression and media for their belief on the power of the creatures and super - natural that every day affect the circumference of their lives , especially the spirits of ancestors . Other functions , such as a means of fulfilling the need for a sense of beauty precisely to encourage artists vary in their works .
With such a background that the main results are the statues of ancestors or mbis in a variety of forms and functions , fauna and flora closely related to confidence , following a new disposable objects and ornaments . There is a three-dimensional shape there are two dimensions . When the work was disconnected from the religious function of the society remained secular aesthetic value and is considered a fine art .
The sculptor and engraver in Papua called Wow Ipits was not educated , but relying on talent is inherited from generation to generation . This changed after the relationship with the community ( and the world ) are increasingly widespread . Increasingly aware that their works were loved by others and can be sold or exchanged for goods of daily life purposes . More and more people learn to carve and sculpt while not devoted to the needs of beliefs . Wow Ipits and a growing number of traditional works of art that are increasingly widespread .
The Shape
- Form follows material
Papua sculpture mostly using wood, although it is possible the use of other materials such as stone. Wood is often more widely available and can be selected in the forest types are more appropriate. To pour the desired shapes by the artist, sometimes resembling wood that has been obtained that desire. It is easier for an artist's work and because we get a lot of forms of sculptural works that resemble trees (standing or fallen), branching trees, and other milestones.
For example is mbis statues and sculptures from the Asmat toleruno from Sentani shaped upright branching tree structure and consist of a variety of human figures standing-decker bunk as a ghost picture. Bodies erect slender, long hands and feet on the structure of the composite statue is a high demand of wood materials. Boat body called me uranum-shaped Manjang fallen tree decorated with human forms and animals that tend to be short body, but the legs and folded arms stretched forward following the direction of the wood lengthwise. Korwar or ancestor statue of West Irian-sea area use wood shaped iron monumental milestone.
For example is mbis statues and sculptures from the Asmat toleruno from Sentani shaped upright branching tree structure and consist of a variety of human figures standing-decker bunk as a ghost picture. Bodies erect slender, long hands and feet on the structure of the composite statue is a high demand of wood materials. Boat body called me uranum-shaped Manjang fallen tree decorated with human forms and animals that tend to be short body, but the legs and folded arms stretched forward following the direction of the wood lengthwise. Korwar or ancestor statue of West Irian-sea area use wood shaped iron monumental milestone.
- Form follows the technical demands
The equipment used is simple. Sculpture and trimmer made of stone or bone made sharp. For intricate carvings used tool of teeth or spines animals and later with the ends flattened nails. Used for smoothing the field of animal skin polisher. It is precisely by means of a simple and produces great work, sometimes complex and aesthetically it shows technical ability.
Due to limitations of the equipment generally carved Asmat style rough, spontaneous, not crushed, the material is mostly hard wood. Roughness due to the limitations of the tool is precisely the characteristic, such as accidental.
Asmat sculptures seem more expresif, dynamic, tense and magical power. Magical power is the main goal of the creators of the statues that ancestor. Technical ability to create sculptures and fine nicks also exist, but the plastic figurines are small.
This type of equipment was quickly changes / developments after many relationships with the outside community and to meet other demands such buyer appeal, speed, quantity of production, etc., although suggestive of secularization. With new appliances (of iron) opens the possibility to achieve new capabilities in terms of working materials.
Due to limitations of the equipment generally carved Asmat style rough, spontaneous, not crushed, the material is mostly hard wood. Roughness due to the limitations of the tool is precisely the characteristic, such as accidental.
Asmat sculptures seem more expresif, dynamic, tense and magical power. Magical power is the main goal of the creators of the statues that ancestor. Technical ability to create sculptures and fine nicks also exist, but the plastic figurines are small.
This type of equipment was quickly changes / developments after many relationships with the outside community and to meet other demands such buyer appeal, speed, quantity of production, etc., although suggestive of secularization. With new appliances (of iron) opens the possibility to achieve new capabilities in terms of working materials.
- Types and styles
In accordance with its function to meet the interests of the trust with the various ceremonial art types chisels also revolves around the ancestor sculpture, mask, drums, shields, spirit or mbitoro milestones, cemen, boat spirit and decorations as well as disposable objects.
Ornaments can be shaped humans, animals, plants; geometric forms, form letters S, single or double spiral, the shape of the sun, stars, anthropomorfis and much more. Generally symmetrical but there is asymmetric.
Decorative patterns found in many such sculptures in the cemen kerawangan mbis sculpture. Styles statue is symbolic and mostly plastic. Very rarely are naturalistic.
Ornaments can be shaped humans, animals, plants; geometric forms, form letters S, single or double spiral, the shape of the sun, stars, anthropomorfis and much more. Generally symmetrical but there is asymmetric.
Decorative patterns found in many such sculptures in the cemen kerawangan mbis sculpture. Styles statue is symbolic and mostly plastic. Very rarely are naturalistic.
Sculpture Future of Papua
Given the huge potential and rapid development of Papua sculpture, then in terms of artistic and cultural treasures of our nation very proud. From an economic and socio-wisataan kepari, a considerable potential. Will remember these things for granted we are all equally responsible for the preservation and development. The first thing to note is certainly coaching artists, procurement of materials, technical equipment, information dissemination, quality coaching and marketing as a commodity.This of course requires great attention from both government agencies and the public art and culture lovers.
Source of Referral :
Location
Papua » Papua
0 comments:
Post a Comment